{"id":12845,"date":"2015-06-01T17:14:50","date_gmt":"2015-06-01T17:14:50","guid":{"rendered":"https:\/\/satellites.univ-rennes2.fr\/cabinet-livre-artiste\/wp\/?p=12845"},"modified":"2019-01-22T12:09:21","modified_gmt":"2019-01-22T12:09:21","slug":"the-journal-of-artists-books-n37","status":"publish","type":"post","link":"https:\/\/satellites.univ-rennes2.fr\/cabinet-livre-artiste\/wp\/genres\/insert\/the-journal-of-artists-books-n37","title":{"rendered":"The Journal of Artists’ Books n\u00b037"},"content":{"rendered":"\n\n\n
\n

AUTEURS.
\nMarie Boivent, Pascale Borrel, Denis Briand, Leszek Brogowski, Laurence Corbel, Bruno Di Rosa, Peter Downsbrough, J\u00e9r\u00f4me Dupeyrat, & Il Topo, Pascal Le Coq, Lefevre Jean Claude, St\u00e9phane Le Mercier, Laurent Marissal, Anne M\u0153glin-Delcroix, Aur\u00e9lie Noury, Hubert Renard, Marie-Ange Pena, Taroop & Glabel, Mathieu Tremblin, Christophe Viart, Bernard Villers, \u00c9ric Watier.
\n<\/span><\/p>\n

PUBLICATION.
\nChicago, Columbia College Chicago Center for Book & Paper Arts, printemps 2015.<\/p>\n

TYPE DOC.
\nRevue (texte en anglais)<\/p>\n

FA\u00c7ONNAGE.
\n64 pages, agraf\u00e9es, impression couleur et noir & blanc, 28 x 21,5 cm + insert : Bernard Villers, \u00ab\u00a0Left Right\u00a0\u00bb, d\u00e9pliant \u00e0 deux volets, impression noir & blanc et une couleur, 15 x 10,5 cm.<\/p>\n

DESCRIPTION.
\nCouverture : Peter Downsbrough
\nSommaire :
\n– Anne M\u0153glin-Delcroix, Remakes, regresses, (re)prints <\/em>
\n– Pascal Le Coq, Teamwork<\/em>
\n– What the Artist\u2019s Book Makes Us Rethink About Esthetic Theory, <\/em>an interview between Hubert Renard and Leszek Brogowski
\n– Lefevre Jean Claude, Notebook #51, Last Notation<\/em>
\n– Catalogue Incertain Sens & Sans niveau ni m\u00e8tre
\n– Pascale Borrel, Through the text\u2026<\/em>
\n– Christophe Viart, Le Double<\/em> *
\n– Denis Briand, There May Be No Reason to Believe That the Artist’s Book Exists<\/em>
\n– Aur\u00e9lie Noury, The Reprint Within les \u00c9ditions Incertain Sens<\/em>
\n– J\u00e9r\u00f4me Dupeyrat, Publishing Art<\/em>
\n– & Il Topo, The Topism Manifest<\/em>
\n– Laurence Corbel, Design, Publish, and Display: the Triptych for University Research Into Artist\u2019s Books<\/em>
\n– Taroop & Glabel, Second Hand Stores\u2026<\/em>
\n– Marie Boivent, \u2018For Here, or to Go\u2019: the Cabinet du livre d\u2019artiste, Exhibitions and Journal<\/em>
\n– \u00c9ric Watier, The Easier it is, the More Beautiful it is (Introduction to the Most Beautiful Exhibition in the World)<\/em>
\n-St\u00e9phane Le Mercier, Excluded from Loans<\/em>
\n– Mathieu Tremblin, Open-Air Library<\/em>
\n– Aur\u00e9lie Noury, The Collection of the Cabinet du livre d\u2019artiste<\/em> (visual : Marie-Ange Pena)
\n– Bruno Di Rosa, Note<\/em>
\n– Laurent Marissal Painterman, Only the sea?<\/em>
\n– Leszek Brogowski, The Gift, The Network and Reciprocity in Artist\u2019 Books<\/em>
\n– Woody Leslie, Documenting Documenting <\/em>
\n– Doro Boehme, Book Review for JAB <\/em>
\n– Mary Clare Butler & Woody Leslie, Books Received <\/em><\/p>\n

COTE. 02JAB\/37<\/p>\n

ISSN. 1085-1461<\/p>\n

Acheter la revue<\/a><\/p>\n<\/td>\n


\n<\/a>\"JAB_37\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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